Tchaikovsky himself was less satisfied with The Nutcracker than with The Sleeping Beauty, his previous ballet. (In the film Fantasia, commentator Deems Taylor observes, very accurately, that he "really detested" the score.) Though he accepted the commission from Ivan Vsevolozhsky, he did not particularly want to write it (though he did write to a friend while composing the ballet: "I am daily becoming more and more attuned to my task.")While composing the music for the ballet, Tchaikovsky is said to have argued with a friend who wagered that the composer could not write a melody based on the notes of the scale in an octave in sequence. Tchaikovsky asked if it mattered whether the notes were in ascending or descending order, and was assured it did not. This resulted in the Grand adagio from the Grand pas de deux of the second act, which traditionally is danced just after the Waltz of the Flowers.
A story is also told that Tchaikovsky's sister had died shortly before he began composition of the
ballet, and that his sister's death influenced him to compose a melancholy, descending scale melody for the adagio of the Grand Pas de Deux.
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